Simple is rarely a compliment when applied to perfumes. Fragrances compared to symphonies or classic multi-volume novels are thought to be superior. Yet, as any perfumer knows, creating a simple composition is complicated. When the palette is reduced to a few key elements, the selection of each material becomes critical. It is even more difficult […]
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Simple is rarely a compliment when applied to perfumes. Fragrances compared to symphonies or classic multi-volume novels are thought to be superior. Yet, as any perfumer knows, creating a simple composition is complicated. When the palette is reduced to a few key elements, the selection of each material becomes critical. It is even more difficult to create a fragrance that evokes a single impression, that of a flower, a root, or a leaf.
Composing a perfume that smells realistically of a flower, say, a rose, is part of the challenge, but it?s not the biggest one. The more elusive goal is how to suggest a story and give it character. The purpose of a perfume is not to replicate nature, but to weave a fantasy. All of us have our own idea about how a rose smells, and a successful rose perfume will not try to compete with a summer garden. Instead, it will evoke its own universe.

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